1845 -1910 David Ross McCord (1844-1930) commissioned Henry Richard S. Bunnett (1845-1910) to paint over 200 oil paintings between 1885 and 1889. The works depicted buildings, views and places around Quebec that McCord felt were of historical importance.  Related Paintings of Henry Richard S. Bunnett :. | The chicken family | Portrat Pau Cassirer | anders holm | The Coronation of the Virgin | L Assomption de la Vierge |
Related Artists:
UDEN, Lucas van
Flemish painter (b. 1595, Antwerpen, d. 1672, Antwerpen). Flemish painter, draughtsman and engraver. He was the son of Artus van Uden (b 1544), town painter of Antwerp, and grandson of Pieter van Uden (i) ( fl 1553), founder of a noted tapestry and silk factory in the city. Lucas was probably trained by his father and in 1626-7 was enrolled in the Antwerp Guild of St Luke as a 'master's son'. On 14 February 1627 he married Anna van Woelput (d 1667). On 31 December 1649 he was registered as no longer living in the city,
Antonio Carvalho de Silva Porto
(Porto, 11 November 1850 - Porto, 11 June 1893) was a Portuguese naturalist painter. Born in Porto, he studied there under João Antenio Correia and T. Furtado, then continued his studies in Paris and Rome. While in Paris he exhibited his work in the Salon and in the World´s Fair of 1878. In Paris, he studied with his friend João Marques de Oliveira, where they were pupils of Adolphe Yvon and Alexandre Cabanel. They became followers of the naturalist Barbizon School, and brought the new school of painting to Portugal, when they returned in 1879. Silva Porto become one of the most acclaimed naturalist painters of his generation, showing the heritage of Jean-Baptiste Camille Corot and Charles-François Daubigny. Secondary effects from impressionism can sometimes be found in his paintings.
BERCKHEYDE, Job Adriaensz
Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem). He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.